I used to have nightmares. Terrifying dreams, that would ruin my sleep and leave me clammy in the middle of the night. So as I got older, I went about systematically squishing down the dreams and pushing them into more manageable forms.
One of the first things we did as young married folk, was explore the concept of lucid dreaming. That is a dream that you know that you are dreaming inside the dream. Lucid dreaming cuts down on nightmares.
We would put on music and talk about a theme for dreaming and we would try to 'look at our hands' in the dream. Our goal was to have the same or similar dreams and to be authors and controllers of them. Looking at your hands in a dream is a trigger that helps you realize you are dreaming. It could be anything, I suppose, but that's what we did. :)
Dan had an out of body experience in a dream or in a near dream like state. He said he was floating from his body and could see the room, the ceiling, the sky the solar system and was well on his way to leaving the universe when he says, I woke up momentarily, and in my sleepy voice, said. "Danny come back." He woke up instantly hearing my voice both in his head in the dream and then in real life. And he felt his soul wind back into his body. Spooky, we stopped reading Carlos Castanedas and experimenting with altered Reality for a while.
I have a reoccurring dream that I've had for decades, about a large extremely complicated house set in an amusement park, or a farm, on a hill, round a bay, down the road. and often in a Mediterranean type of setting. It's filled to the brim, every room with curios and dusty old things, and random possessions of the former occupants. Even in hotel rooms in my dreams, there are labyrinths and doors to open and explore. I recognize that I am having the familiar dream, in my dream. It's like an old friend that visits me.
I used to have endless elevator and metal stairs and lost in the city dreams. I would lose track of Dan and he would be delayed, then I wouldn't be able to find my way home from there. I put a stop to that type of dream by deciding that anytime I would get lost, I would call a cab using the money I has put in my shoe. No more trudging in the alleyways till my feet were blistered for me.
Blog Manifesto
Blog Manifesto
This blog is dedicated, as the title would suggest, to the qualities of being young. We are young writers. We are playful and sensitive, fluid and changing. We are unashamed with our art. We wonder at the world, puzzle over the meanings of things and twirl in delight at images and ideas that float by, grabbing at them as they pass. We are curious and constantly inquiring and prying concepts open and taking assumptions apart. We are on the ground, close to the earth. We have bare feet and wiggle our toes into nature. We carry our blankies still and wrap up cozy and comfy with each other and tell ghost stories and shiver at creepy things. We laugh and we cry and we take a lot of naps, drained from our outings and exertions.
We write as gifts to each other, tying them up in ribbon and leaving them around for each other to find, hiding and waiting for the person to wake up and read. Surprise! We weave our stories together to create a bond. One writes, then the other. then another again. We have a shared reality that we have crafted, bit by piece by patch, by string. We write simple, honest authentic things, with our unique voices. You can tell each one of us from the other, without knowing who wrote what. Our voices are clear and gentle and original. We whisper and our personalities roar! Like children, our feelings are strong, our passion for what we write shakes us. We are moved and sometimes left breathless, by our own words or the words of each other. We cannonball into each others spaces. We fall backward into each others writing, like into a pile of leaves or a soft bed. We gobble and grin and ask for more. (footnote kudos to JC)
Then we go to bed, wake up to a new day and do it all over again!
Tuesday, February 28, 2012
i never forget a face
when i was about 7 i had these.. weird.. freaky.. recurring dreams. i had this dream for at least a year.. not every night.. but quite frequently.
it was always halloween.
and next door i would go trick or treating.. for some reason only to that house. and i was always alone.
i would walk slowly up the steps, ring the doorbell, and wait.
now it gets kinda strange.. mind you, i was a kid..
frankenstein's monster and igor.. answer the door. and i see their faces clear as day. even now. i never forget a face. the monster looked like a tall gaunt older man.. sallow skin, sunken cheeks and blackish bags under his eyes. igor was, yeah.. short. but had straight black hair in a bowl cut.. same sallow skin, same blackish circles under the piercing evil eyes. and he is a.. kid.
they grab me and drag me screaming into the house.
they drag me into the basement and torture me.
the next day. i am out on the street, wandering in full daylight. and no one is to be found.
and i wake. completely freaked. every time.
FAST FORWARD
im maybe 12 and we get new neighbors. well.. the nice little old lady next door has a son who's moving back home with his kid. the kid is 13. mom says steer clear, they are trouble. we steered clear. i never once set foot in that house, though my brother and sister and i had many altercations with that kid over the time they lived there.
i will never forget the day they moved in.
i remember their faces from my dream.
it was always halloween.
and next door i would go trick or treating.. for some reason only to that house. and i was always alone.
i would walk slowly up the steps, ring the doorbell, and wait.
now it gets kinda strange.. mind you, i was a kid..
frankenstein's monster and igor.. answer the door. and i see their faces clear as day. even now. i never forget a face. the monster looked like a tall gaunt older man.. sallow skin, sunken cheeks and blackish bags under his eyes. igor was, yeah.. short. but had straight black hair in a bowl cut.. same sallow skin, same blackish circles under the piercing evil eyes. and he is a.. kid.
they grab me and drag me screaming into the house.
they drag me into the basement and torture me.
the next day. i am out on the street, wandering in full daylight. and no one is to be found.
and i wake. completely freaked. every time.
FAST FORWARD
im maybe 12 and we get new neighbors. well.. the nice little old lady next door has a son who's moving back home with his kid. the kid is 13. mom says steer clear, they are trouble. we steered clear. i never once set foot in that house, though my brother and sister and i had many altercations with that kid over the time they lived there.
i will never forget the day they moved in.
i remember their faces from my dream.
disrespect
rehearsal was going.. as well as could be expected. ronnie runs his rehearsals with a lot of chit-chat, guffaws, and gum chewing unprofessionalism. one afternoon rehearsal with soloists and orchestra, dinner, then right straight into the performance at 7pm.
this was the third time in 9 years jc sang the magnificat with this choir and orchestra. he was confident, but nervous as always. two new replacement soloists added to the intensity of the moment. young kids just out of college, all fluttery and ready to sing. like puppies you just want to pat on the head and instruct to sit and stay.
small talk began during the choral numbers. he hated small talk. especially the kind that included name dropping and 'my teacher this..' and 'my teacher that..'. and then the inevitable.. 'well, you are a veteran..' rolled right off the tenor's tongue and jc wanted to punch this guy. instead, he grinned, put on his old geezer glasses, crossed his leg, pulled out his score, and ignored the kid.
the first solo was for the young tenor. he had a nice, typical conservatory sound. resonant, heavy, and pushed. just exactly the sound that gets tenors roles but finishes their careers fairly early.
and then, it was time for jc to sing.
he stood up.
and as he stood.. there was a collective gasp behind him.
the tenor was standing too.
why the hell was the tenor standing?
for a brief moment, all eyes were on jc. shock and embarrassment and then rage coursed through him within seconds. time seemed to stand still. everyone was frozen. the orchestra staring, the choir silent behind him, ronnie even stopped chewing his gum in his bewilderment. no one moved a muscle or rustled a page.
and then he spoke..
ahem. ronnie, who will be singing this solo?
oh. i dont really care which of you sings it. you two duke it out. ronnie blurted offhandedly.
WHAT?
-followed by dead silence.
you need to make a decision.
the tenor piped in his two cents. 'doesnt matter to me, old man.' but didnt take a seat.
ronnie, are you going to make a decision.?
ronnie just stared.. unsure yet unbudging.
jc took a very long, relaxed breath and looked around the room. all eyes were still riveted to him. he glanced back at the choir, smiled casually, and took a seat.
rehearsal resumed. afterward, the tenor leaned in and explained in a somewhat panicky tone, 'ronnie called me and told me to learn the solo.' jc shrugged. poor kid was caught in the middle. let him have his moment.
it would be a long time before he ever sang with this organization again.
this was the third time in 9 years jc sang the magnificat with this choir and orchestra. he was confident, but nervous as always. two new replacement soloists added to the intensity of the moment. young kids just out of college, all fluttery and ready to sing. like puppies you just want to pat on the head and instruct to sit and stay.
small talk began during the choral numbers. he hated small talk. especially the kind that included name dropping and 'my teacher this..' and 'my teacher that..'. and then the inevitable.. 'well, you are a veteran..' rolled right off the tenor's tongue and jc wanted to punch this guy. instead, he grinned, put on his old geezer glasses, crossed his leg, pulled out his score, and ignored the kid.
the first solo was for the young tenor. he had a nice, typical conservatory sound. resonant, heavy, and pushed. just exactly the sound that gets tenors roles but finishes their careers fairly early.
and then, it was time for jc to sing.
he stood up.
and as he stood.. there was a collective gasp behind him.
the tenor was standing too.
why the hell was the tenor standing?
for a brief moment, all eyes were on jc. shock and embarrassment and then rage coursed through him within seconds. time seemed to stand still. everyone was frozen. the orchestra staring, the choir silent behind him, ronnie even stopped chewing his gum in his bewilderment. no one moved a muscle or rustled a page.
and then he spoke..
ahem. ronnie, who will be singing this solo?
oh. i dont really care which of you sings it. you two duke it out. ronnie blurted offhandedly.
WHAT?
-followed by dead silence.
you need to make a decision.
the tenor piped in his two cents. 'doesnt matter to me, old man.' but didnt take a seat.
ronnie, are you going to make a decision.?
ronnie just stared.. unsure yet unbudging.
jc took a very long, relaxed breath and looked around the room. all eyes were still riveted to him. he glanced back at the choir, smiled casually, and took a seat.
rehearsal resumed. afterward, the tenor leaned in and explained in a somewhat panicky tone, 'ronnie called me and told me to learn the solo.' jc shrugged. poor kid was caught in the middle. let him have his moment.
it would be a long time before he ever sang with this organization again.
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